Weaning was hard. We started when Giles was nine months old. It was slow, and difficult, and most of all, emotionally exhausting. The guilt, the ups and downs of my moods, the crying and feeling all the things. It took us so long just to choose which formula to get. I held Giles in my arms, giving him a bottle of formula for the first time, tears pouring out of my eyes and a beer in my hand.
The hardest part was one week after I nursed for the last time. Suddenly my emotions hit me. Hard. Every half hour or so I sobbed uncontrollably. Nothing specific would set off the crying jags, and I couldn’t stop them. It was almost like I was immediately postpartum again, with roller coaster emotions and hormones.
Apparently there is a thing called “Post Weaning Depression.” Once I figured this out (through a mixture of online research, texts with Berkshire Nursing Families, and a friend), I felt a lot better, just knowing it was normal. After a couple weeks my hormones leveled out.
But there was a period of time when I felt so awful and didn’t understand it.
It takes our bodies and minds a very long time to balance out after giving birth. I don’t know how long because after a year things are still changing. Maybe I will be living in a transitional state for the rest of my life. Maybe we are always in a transitional state.
And we never get out bodies “back.” That is not a thing. We only move forward.
I’ve recently started painting with acrylics, and I love it! My mother-in-law gave me her late father’s art supplies, which included a set of acrylic paints, an easel, and a pad of paper pallets (kind of like wax paper that you can use as a paint pallet). I got some canvas boards and started playing around, and fell in love very quickly.
There’s something about painting: using brushes, the squishy paint, playing with color and light, the amount of time it takes…it’s meditative and fun and physical. It connects me with my mom. I’ve always preferred pens and markers, but now I really understand the pull of paint.
I’ve been doing a lot of still lifes, and some portraits and self-portraits. Inspired by my sister I am making comic paintings– this is what I am most excited about. My new thing. I remember so clearly as a kid seeing this print hanging in the condo of a family friend:
Drowning Girl, by Roy Lichtenstein
Something really attracted me about this. And even though it’s been many years since I’ve seen it, it stuck with me. That’s how it is with the best art– those special pieces that stay with you, stitched into your mind.
I’m really excited to make more comic paintings. There’ll be an exhibit at Images Cinema in August.
My scanner is currently out of order, so here is a photo of this comic I made recently about Giles getting sick a couple weeks ago:
My appointment went really well, and I feel really good about the medical team I will be working with. We stayed with some of Greg’s family who live walking distance from the hospital. They watched Giles while Greg and I went to the appointment. The snow was falling so beautifully, and the day felt auspicious since it was the anniversary of Lee’s death.
I don’t have many photos of him. This is one of my favorites:
It feels important to share photos of Lee. For the people who love him, so we can look at as many of his alive moments as possible. He was really here, he was a person, he wore khakis and a tie for the homecoming dance in 2003. He had a certain way of standing.
I have worked a lot of jobs. At age eighteen I went to college to study theater, writing, comics, and dance, with the dream that I’d make it work somehow– I’d find a way to make a living at this crazy thing called Art. So I never committed myself to a full-time job. I worked multiple part-time jobs at once, scrounging for any little bit of time to draw and write. I drew comics in the box office and the projection booth at move theaters. I wrote short stories in emails to myself at receptionist desks. I sketched on the subway, worked on story ideas at babysitting gigs after the kids went to bed, wrote in diners at 6am. I lived close to the bone, making just enough money to survive.
While living in New York City I walked around to comic book shops asking them to sell my little self-published mini comics, and got feedback from store owners about how to make them look more professional. I modeled for life drawing classes. I submitted to short story competitions. I volunteered at MoCCA Fest in exchange for a couple hours of table time selling my comics. Any small way to make a tiny amount of dough from my art.
March 1st marks my one year anniversary of being “self-employed.” I quit my job to be a full-time artist and stay-at-home mom (we need a better term for this). So, how do I make money?
The short answer is that I don’t make very much. I am fortunate to have a partner who believes in me, believes in my work as an artist, and takes on the responsibility of supporting our family financially. This is the first time I have not supported myself completely since college. It’s hard sometimes, to reconcile this fact in my head, that my husband supports me financially.
But the truth is, if I were to go work at a job I wouldn’t make enough to pay for daycare or to make it worth it to not be home with my baby. And I would likely be sad and unfulfilled. So instead, I stay home and take care of Giles, which is a very important contribution to our family. And twice a week my mother-in-law takes care of him at her house so I can do my artwork.
Art Work. It is really, really wonderful that my only work (besides being a mom) is making art. It is also really hard. In the first couple months of Full-Time Artist Life I made just as much money as I did at my previous job. I taught a comics workshop, sold a few commission portraits, sold some drawings from an exhibit. Art income often comes in windfalls like that– for a few months I will sell a bunch of things, and then there will be long dry spells.
These are the ways I make money:
Teaching: this is relatively new to me. Last year I taught a five week Autobiographical Comics workshop for adults at a local art school. I am about to start teaching another workshop with the same school. This is a really nice way to make some money, the highest hourly wage I have ever been paid in my life– about $25/hour. It’s also inspiring, working with students and seeing their ideas and growth. A great way to make money in my field that is truly connected to what I love. It’s also a lot of work, and takes time and energy away from making my own things.
Commissioned Portraits: this is something I’ve been doing for a while. I don’t get a lot of commissions. Most art from people I know, friends and family. On my Etsy site I offer portraits, holiday cards, and invitations. Commission work can be tricky– early on I learned to be very clear with customers about what I do, what my style is, and that I will not copy the work or style of other artists. I change my prices pretty often, never sure of how much to charge, balancing how much I value my time with how much someone will realistically pay me.
Exhibits: these can be great or not so great. It’s a lot of work (and often expense) to put up a show and there’s no guarantee that I’ll sell anything. It can be fun, and it sure feels good to sell work off the wall. It can also be disappointing, and exhausting to smile and make small talk at openings, to hang and rehang work, to sell myself. My favorite part about doing exhibits is when someone I don’t know responds to a piece I made, and especially when they buy it.
Selling Other Stuff: I also make and sell t-shirts, tote bags, cards, etc. This is more intermittent, for example, when I have a specific idea for a shirt design and enough money to make a bunch of them up front. Then I sell them on my Etsy site until they run out. Shirts are hard because I never know how many of each size to print ahead of time, and often end up with leftover sizes that no one wants. Because of this, sometimes I will wait to actually print the shirts until I have several pre-orders. Cards are the easiest because they are cost-effective (they aren’t expensive to make, so I can charge less and still make a small profit. I’m a big believer in affordable art).
My ultimate goal is to get an agent and a publisher and have my comic books and short story collections published and for sale at stores. To contribute financially to my family and have lots of people read my work. The way that I am making this happen is by putting my work out into the world any way I can. Posting my comics on my blog, selling at indie comic conventions, submitting stories to magazines– just putting it out there and putting it out there. I am a big believer in doing things myself. I don’t like to rely on other people’s approval. If I can’t find someone else to publish my comics, I make them into books myself and find a way to sell them. I just keep going, keep making the work, keep sharing it, and things will happen.
Other artists make their livings in different ways, have different methods and different measures of success. This is how I work.
I’d like to give a special shout out here, to my dad. I often write about my mom on this blog, and how she is part of my artistic life. But my dad has always supported me– emotionally and creatively, even financially when I’ve found myself in a tough spot. He is the BEST exhibit hanging partner, audience member, and starred in an early short film I made. He may claim to be the non-creative person in our family, but he is an artist in life, in his own work, and in being a dad. I owe him a lot. So, thanks Pops. I love you.
Because I have health insurance, I was able to get a free electric breast pump at the hospital after giving birth. Because I have a breast pump I am able to pump milk into a bottle so someone besides me can feed the baby. Because someone else can feed the baby I have a small amount of freedom to not be tied to an every-two-hours schedule of latching a baby to my boobs so he can suck nourishment out of my body.
Because I have health insurance I have mental health coverage. Which means I can go to therapy. Which means I don’t have to suffer alone and quietly while my hormones rage around and cause crazy feelings and exhaustion settles over my whole self and who am I now anyway besides a mom and human milk machine?
Because I have choice over what happens to my own body I was able to grow a baby and give birth to him at a time when I was ready to do this, and wanted to do this. Because of that I am a good mom, and my baby has a healthy, happy, safe home to grow up in.
I’ll be posting more comics about this soon, but just to explain briefly what this is: TP53 is a gene that helps fight cancer. Having this particular mutation that runs in my family (which is also called Li Fraumeni Syndrome) means it’s easier to get cancer. It doesn’t mean I definitely will get it, it just means I have a higher chance than the average person.
I made this comic before having the test myself, so I didn’t know if I would have it or not. Rather than leave you in suspense until I finally have time to post the next few comics, I will just tell you now that I do have the gene mutation. This means my mom had it too, but they weren’t testing for it in 2011 when she had her genetic testing. I have lots of feelings, and will get into that more later. For now, I just wanted to get the ball rolling and start posting these new comics, and maybe write a little bit too about my experiences with all the testing, etc.